poetic licence

pardon me for a moment of exuberance...

today i feel

like an acupuncturist

to the world

[grandiose, i know]

to palpate pulses

and diagnose

to needle separate points

and feel global flow

to minus nonplussed-ness

[yes, much of a muchness]

to be everywhere

while staying at home

logo

here's a provisional copy of the logo i've been working on for our 'secret' soil product.

what do you think? does it read? can you get an idea of what it does just by looking at the graphic? does it need anything? can it be simpler?

any comments/criticisms welcome.

snow and other things falling from the sky

winter has arrived a few days before the calendar officially dictates. yes, snow! cold, crunchy, drier than rain and maybe slightly more preferable...above is a photo of norwich snipped from bbc norfolk.

[just noticed that i caught my cursor in the screen shot---the finger of god!! it has always interested me that the word 'cursor' comes from the latin word for 'something/one that runs'; wikipedia agrees. why do you think that computer use is never relaxing? we're the actual cursors trying very hard to follow a virtual one, which has the advantage of being able to run at the speed of light!]

for the past week, on bbc radio 4, a surprisingly poignant book was read for their 'book of the week' broadcast. [unfortunately, i don't think that americans can access the bbc iplayer] 'dear granny smith' by roy mayall, a pen name punning on 'royal mail', was written by a mailman, who are called 'posties' here. 'granny smith' is the slang nickname that 'posties' give to their archetypal customers, like you and me, but especially to the socio-economically marginalized older women, for whom the postal service is a lifeline. [a bit like 'john or jane q. public' in america] the author writes as a worker on the receiving end of managerial policies of 'modernization', 'flexibility', 'change', 'efficiency' and all the rest of late-capitalist-business-school-speak. in other words: different ways to squeeze more work out of fewer, less secure, more disgruntled employees for less money---the way of all jobs on the bottom of the totem pole.

why poignant? as i listened to the readings, i felt moved by the heart and mind of a philosopher! that is to say, in writing intelligently about the economic dynamics in play which are changing the royal mail for the worse from the perspective of the worker as well as the customer, roy mayall says something very valuable about the state of the world as a whole. by touching a quite specific node of experience incisively, he reflects the big picture and raises big questions in a meaningful manner---a function usually reserved for literature or poetry.

in other words, the royal mail illustrates the template of what is happening to companies within our broader 'globalized', privatized, corporate economy; and we are all 'granny smith'. in a london review of books blog post, roy mayall recounts a meeting between royal mail management and staff: after hearing about new policies which would adversely affect service, an old-time postie asked management, 'what about granny smith?'

the reply? 'granny smith isn't important...granny smith doesn't matter anymore...' and we are all granny smith...

norwich graffiti

courtesy of the west pottergate underpass, where i access downtown from my city half of the week.

as you can see, wild-style is live and well...i'm glad that the artists choose not to defile the historic buildings...instead they mark out the marginal and decorate it, brighten it.

putting the 'i' and the 'image' in 'imagination'

this theme keeps creeping into my consciousness through different cracks: meditations, thoughts, books, articles, probably influencing each other...

rudolf steiner, in his meditation manual, 'start now', places great emphasis on 'imagination', but not in the way currently used. he means it as an act of will, not the 'will o' the wisp' opposite we usually mean, as in, whatever-comes-into-your-head. rather, steiner's version is to conjure a stable image in your inner visual field and to do so long enough so that the object can be manipulated in that space, as if it were a physical thing in your hand. another route he suggests is to picture something symbolically meaningful to the spiritual quest, like a seed, which can then 'grow' or 'blossom' along with the soul that is doing the picturing!

in meditation, i've tried the latter with some success. my gut feeling about this exercise is that being able to conjure [pun intended] images within can directly lead to clarity of vision about one's life---that this is the initial step of 'reality creation' in the outside world. creative visualization works in this way. never before have i equated my inability to picture things with my inability to direct my life! i can now look back at the ancient belief that images and art were magic....because they ARE! or can be...if one keeps at it...right now i'm working with my inner acorn...hopefully, one day to sprout and to grow into my inner oak ;-)

another suggested exercise from steiner is the 'backward review'; simply to picture the significant events of your day, from the most recent, back in time---to rewind the day in order to reinforce the lessons learned and to notice where improvements can be made in the future. we do it in all learning situations: classes. we do it in prose, and call it a 'conclusion'. why not in everyday life, the ultimate school?

lastly, in his 'essential exercises', steiner tells us of the importance of initiating some type of action each day, no matter how trivial. the small act of will builds the capacity for greater ones. my miniscule will muscles are getting sore...

speaking of arresting images...i was browsing the new york times and found that there's an exhibition in nyc of jung's famous 'red book', his personal illuminated manuscript. a review is here. i snipped some images from the article:

misty day in cambridge

summer and i were going to go to the beach yesterday, but as we entered the train station, we saw that the route was delayed by construction. what to do? next down the schedule was a train to cambridge----leaving in 3 minutes! off we ran down the platform...

we arrived in a literal fog...a thick, chilly mist...would we even see the town? quickly we oriented ourselves, with the aid of, or in spite of, a tourist map. my eye was caught by posters for an exhibition of lithographs by odlin redon, an artist i don't know that well, but whose work has appealed to me since my art school days. the admission was free at the fitzwilliam museum and a fine [art] excuse to get out of the cold.

the cityscape was itself impressionistic, due to the mist----thick on atmosphere, literally. i seized some photographic moments:

the digital camera interpreted the fog as a purple haze [cue hendrix].

some fine [art] moments in the fitzwilliam's sculpture park:

summer with an extra hand waving...

like many student towns, cambridge harbored seas of bikes which i thought were particularly interesting visually---more like a scene from a city in china:

album cover out-takes

...especially for jay....with even more heavy metal fire!